Wednesday, August 12, 2009

Restless in Seattle Part II

It is late afternoon in Seattle, we are shooting at Hidmo Restaurant off of Jackson and 20th in Seattle. The set is hectic with the Director discussing with the DP the next shot, a nervous energy ensues, people with various titles run around the set, the first AD yells "quite on the set, roll sound and action". The real drama begins, for the crew of $5 Cover, it is just another day at the office. To plan for a feature film, it takes month of preparation, rewrites, casting, locations, hiring the above and below line crew, it all takes time. By the time I am hired, the start date is usually days away; the producer, the UPM and other crew members have been working on pre-production for weeks.

We work on a five day week starting on Saturday and going through Wednesday, with Thursday and Fridays off, long days are the rule, but no one complains, we love our jobs. This is what makes working on films so special, we all have one common bound to make a great film.

What attracted me to this project was a chance to work in Seattle, and a chance to work on a feature film. The projects I work on are commercials, music videos and photo shoots, which I enjoy. Feature films are a rarity because most features use trailers and my speciality are high end motor homes. This is my first time in Seattle, what I like most about it are the people, everyone who I met so far are very nice. Working on $5 Cover is one of those projects that working on is such a joy, not only because of the crew and talent, the film itself is so interesting. The film is about local bands performing, and the story behind the group, it is more like a docudrama with music and comedy brilliantly blended in like hot mocha on a cold Seattle fall morning.


Tuesday, August 4, 2009

Restless in Seattle Part I

Dear Reader

It is early Tuesday morning in North West Seattle, the air is still, a marine layer hangs above Peuget Sound, and seagulls make their way for their favorite eating-places. The city of Seattle is slowly waking up, one by one people emerge from their cocoons and brace themselves for a slow commute to their jobs. For me, I am in search of a good breakfast and some of Seattle’s famous coffee. Tully’s Coffee house meets those needs, a mild blend of coffee, just enough caffeine to wake me up and a nice warm croissant to satisfy my hunger.

This is the first time I have been to Seattle, and the first time I have been to the North West since September of 2006. The opportunity to work on a feature in Seattle came unexpectedly, initially I thought I would not be able to do the job because of scheduling conflicts, however such problems were resolve and a day and a half latter I arrived in Seattle from Los Angeles. When I arrived in Seattle the last week in July, Seattle was experiencing one of the worst heat waves in a century, from my LA perspective, this was just another reason to get a suntan and drink an ice mocha with plenty of whipped cream.

To get a sense of the city I decided to take a bus into Seattle, as intimating as I thought the streets of Los Angeles are, Seattle streets resembles San Francisco, a series of one way streets with hills that can wear out brake pads in a matter of hours. On James and 4th, the light turned red halfway down a steep incline, a Hail Mary and good brakes allowed me to stay motionless until the light changed to green.

Google Maps and two GPS units have been the most important tools for me to navigate my forty-one foot motor home around the tight, tree-laden roads. I am learning to scan my route in advanced using Google Maps, and the advice of our location manager, who has assisted me with my daily route to location. My in dash GPS has made me a little nervous several times, forcing me on small roads and making me make U-turns at the worst intersections. But I surmise I am a professional, I can handle the streets of Seattle, and GPS don’t let me down now.

Thursday, July 23, 2009

Shady Cove Revisted


Dear Reader

It was a cold dreary day in Shady Cove Oregon, as I walked towards the restaurant, it was early morning and I was hungry. This was my first time in Oregon and I admit I was falling in love with this beautiful town. The air was crisp and clean; the sound of the rushing river below me was soothing to my ears. I was working on a low budget film called “Yesterdays Dreams”; I was supplying the talent motor home for this job, my 2003 Neptune, the first motor home I ever owned. This job was different from the jobs I worked on in the past, photo shoots and commercials that would last one to several days. I was schedule to work on this job for five to six weeks, with another job set to shoot just before Christmas.

Growing up in Los Angeles, which is known for traffic and air pollution, small towns are almost nonexistent; Shady Cove was this tiny town surrounded by trees and the Rogue River, an oasis from my perspective. If I could, I would move to Shady Cove in a heartbeat. As such, this thought would be placed in the back of my mind, until the day I retire or move onto a different chapter in my life.

When I arrived at the Shady Cove Inn, it was midnight; the town was peaceful except for the sounds of an occasional owl hooting or a passing car. The sky was clear and I could see an array of stars above me, the air was crisp and I could not wait to get some much needed sleep.

The next morning I met the Producer, the Director and the rest of the crew, my instincts told me this was going to be a great shoot, as it turned out “Yesterdays Dreams” was my favorite shoot of all time. The Producers picked a crew that consisted of locals and individuals and venders from Los Angeles. I relied on the locals to verify directions and the best routes to our locations; they also became some of my best friends on the film. Oregonians are very nice people, they are extremely helpful and Oregon wants filming in the State, the Film Commission allows non-local companies to do business, especially if they have a service that is not available in the State

The myth about Oregon is that it is always rainy, that is not true for all of Oregon and only at certain times of the year. In Medford, Oregon most of the storms blow past the valley and the eastern potions of the state, the weather is similar to the California Mojave Desert.

Shady Cove became our base camp for the majority of the production; we shot most of the scenes in Shady Cove, as well as Ashland. The town also proved to be a bastion of talent; many of the extras came from the Shady Cove talent pool. In the process I met many nice people in SC, when I came back two years latter, I was surprise that some of the towns people still remembered me and our shoot.


In short, if you want to find a unique place to shoot with a small town atmosphere, Shady Cove is the place to plan your film.

Sunday, July 5, 2009

Los Angeles a great place to do your next film or video project


Dear Reader

Downtown Los Angeles is an interesting place to shoot with a variety of architecture, ambience and character. On a busy day, LA can resemble a back lot for the studios, with sometimes five or six productions shooting at the same time, yet invisible to one another. This is what makes shooting in LA great, it can look like New York, Boston or San Francisco or almost any other city. The entire infrastructure one needs, prop houses, grip and lighting equipment, camera’s and the most seasoned crews reside in or near Los Angeles.

Film LA Inc. (213 977 8600) has streamlined the film permit process, making it easier for filmmakers to obtain the necessary permits for their projects. The LA 411 is a great resource as well, in terms of locating equipment and crew. What I like about shooting in Los Angeles is that generally parking is not an issue, LAPD retired cops know the industry and help keep traffic around the set flowing.

As the sun slowly descends below the Pacific Ocean, the traffic is non-existent, and a new crowd emerges from their lofts, smartly dressed and ready to party, relegated mainly to areas around the Staples Center and the Bunker Hill district. The rest of downtown LA is a ghost town at night, not withstanding the occasional homeless person who wonders the night in search of solace and a small meal. This is when the real action happens; film crew set up for complicated shots, maybe a car chase or monster invading Los Angeles or a super model walking down the streets of LA for a fashion shoot. Even crews on a budget can find locations for their films for a modest price.

Again if you need a Motor Homes or Portables Restrooms for your next shoot, please call Mike Green RVS at 818 317 7099.

Wednesday, June 10, 2009

Tejon Ranch


Dear Reader

Tejon Ranch is a location few in the public can access, unless one is fortunate to work in the entertainment industry and has the opportunity to shoot at the ranch. Tejon Ranch is located north of the HWY 138 and extends north of Bakersfield past HWY 58. The ranch is mainly used for cattle grazing and shooting commercials, photo shoots, TV and feature films.

The ranch ranges from an African savanna to rolling green hills; something one would find in Ireland. Since the ranch, in certain locales is above four thousand feet in elevation, in winter, the rolling hills are covered in snow. Therefore TR offers film makers a wide range of locations to shoot at, in fact the ranch is so large, one could have several big budget films shooting at the same time and not interfere with each other, nor would one know the other production is there.
Lodging is plentyful, the Best Rest Inn, the Ramada Hotel, both in Lebec, and the Econo Lodge in Gorman. There is a dump station and fuel at the Flying J in Lebec, hardware stores and a small grocery store in Frazier Park, restaurants aplenty.

The great plus about the ranch is that it is less than an hour and half north of Los Angeles. TR has easy access in most locations for large vehicles, there are a few locations on the ranch that are not accessible by large trucks.

I have been on the ranch on numerous occasions, almost every time, we shot at a different locale. This time we were shooting a scene with cowboys and cattle, the sky was cloudy and menacing, we observed lightning strikes several times, yet the air was surprisingly humid and hot. Our caterer was cooking a barbeque delight, ribs, chicken, corn on the cob, grilled vegetables, it was a great feast. Our shoot was over and our bellies full, it was time to go home.


Friday, June 5, 2009

Dumont Dunes Revisted


Dear Reader

As I indicated, there was a reason why I was at Shoshone, California. Shoshone is the closest town to Dumont Dunes, about thirty minutes north. If one needs fuel, including diesel/gas, food or lodging, Shoshone is the closest town to Dumont. The closest city is Pahrump, Nevada; there you can find a grocery store, casinos, and better lodging, especially for large crews. The Shoshone Inn is small, twenty rooms max, and it is basic, a bed, TV and a shower/tub.

Our crew is small, so Shoshone was the perfect place to lodge, fuel and eat. As the driver of a large motor home, there was plenty of parking and since my motor home is fond of diesel, my RV was never hungry, the fuel was not cheap about thirty cents higher than Baker and Baker is about sixty cents higher than Los Angeles. Shoshone does have an RV park, so on extended stays, the dump station is a necessity.


The road into Dumont Dunes is a rough road, at best, I was able to maintain about five miles an hour, so it took me about an hour to reach the main parking lot. Once you are off the main road the ground is soft, so read the road carefully, one of our guys made the mistake of driving too close to the dunes and got his SUV stuck. We hired two guys who were familiar with the dunes to lead us to our location, around the corner from the main parking lot. I was a little apprehensive about leaving the main parking lot, but our guide assured me I would not get stuck. To play it safe I engaged my automatic traction control, which provided power to both rear wheels, I kept a steady speed until we arrived at our designated location.

Our guides bought a modified sand rail with then to traverse the four hundred foot sand dunes and bring crew and talent to location. Even the best four-wheel drive truck would have problems climbing a dune with a twenty-five percent incline. Dumont is very tricky place to navigate; even the best of driverscan get their vehicles stuck in the loosedry sand.

It was a hundred and five in the shade and humid, the clouds looked ominous and menacing, could a monsoon be near. The Producer stared at the sky for a moment, I assured him that a monsoon would be rare in this region; I was right it did not rain. Watching a sand rail climb a sand dune is like defying the laws of gravity; it requires a skilled driver who knows that in order to reach a location on the side of a dune requires the driver to pass the location and make a long curve up pass the designated locale and then maneuver the sand rail down to such location.

From where I stood, next to the motor home, the crew looked like ants. The sun was slowly setting and the sand was a golden brown, the air was still and quiet. We owned the Dunes, which I thought was unusual, but our guide indicated to me that Dumont Dunes is dead from late April to early October. Therefore if one wants to shoot at Dumont, without any interference from the public spring to late summer is the perfect time to do a shoot.

Be warned though, it is hot, hot, hot, bring plenty of water and an air conditioned motor home like one from Mike Green RV’s (818) 317 7099. In the cooler months it can still get hot in Dumont Dunes, so prepare properly. Again I will always recommend Willie’s On and Off Road Center (760) 257 3734 for your off road needs, including dune buggy’s, scouting, plus more. Sheri Davis from the Inland Film Commission (951) 779 6700 ext. 231; is always the best person to call for information and film permits for Dumont Dunes and the entire Inland

Empire.


Tuesday, June 2, 2009

Shoshone an oasis in the desert


Dear Reader

It is quit now in the town of Shoshone, except for the sound of an owl and some birds, an occasional car passing by. The sun is slowly rising above the mountains, I can hear the rustling wind from the nearby trees, a cool breeze blowing in the inhospitable desert town situated south/west of one of the hottest places in the world, Death Valley. Shoshone has an allure about it, a town forgotten by time, a place were miners mined for gold in the late 1800’s. Behind the Shoshone Inn visitors can see the entrance to such a mine, closed with chicken wire guarding the entrance from trespassers. If one listens carefully one can hear the sounds of an encampment of miners discussing the zest for treasures buried in the ground below them. Those days are gone forever, but this town an oasis perched in the unforgiving Mojave Desert provides solitude to those who seek solitude.

I arrived in Shoshone late afternoon, the air was hot and thick, and I let my diesel engine idle for a few minutes allowing the turbo chargers to cool off. I registered at the motel, a place that reminded me of something my parents would find on their travels in the 1950’s, a one story U-shape building surrounded by trees. My room was located in the back, as tempted as I was to back up to my room, the towering trees with its thick branches detoured me from such a thought. Instead I parked my RV next to the Inn, away from trees. The room was modest, the air conditioner blasting, keeping the room at a comfortable temperature.

I was hungry; I prayed that whatever food I could find would be eatable. I walk across the street to the Crowbar Café & Saloon; I peered through the menu, a cross between Americana and Mexican food. Could this food be good, I pondered? The waitress seemed nice, I ordered an enchilada combo, the plate arrived hot, and the food was delectable. This was the best enchilada I had ever had the chance to indulge in, I was happy, very happy.

I went back to my room and grabbed my camera, this place was too tempting not to take pictures, and I took many pictures. In a world with more malls and mini-malls one needs to take time and make since of life, this is why man or woman must seek solace and explore new roads or in this case old roads, a way to link oneself to the past.

Shoshone is about a mile long, if one blinks their eyes for a moment, they could pass this town. This is a place one should stop at, smell the clean desert air, and discover the rich history, the museum, and rusting relics of a life melting in the hot sun. Wild life in abundance, the hot springs and the still of the air, far removed from the bustling city. At night one sees stars, galaxy’s from a far off place, the hollowing of coyotes in the distance, a darkness one could not find anywhere except in the deep caves that miners dredge in the not so distant past. To the south/east I could see the lights of Las Vegas, glowing like a fire.

On my next blog I am going to discuss the purpose of my trip to Shoshone.